My painting: Zelda Fitzgerald book cover….with added silver!

My most recent painting was done in only a few days (and I’m not entirely happy with it as a result) but when I saw this book cover of Zelda Fitzgerald’s Save Me The Waltz (right), I had such an urge to do my own version of it that I got a bit carried away…

As usual, I’ve done my normal thing of adding extra colour and – as I’m sure some people would see it – “ruining” the delicate Art Nouveau quality with some garish lines, metallic pen and not-entirely-historically-accurate curves. I also changed it from portrait to landscape so I could have less hand, no title, and more hair action. 🙂

This painting is more me than the original, and I also brought a few autobiographical details into it, in the form of the nose stud and three of my many rings – one from Belfast covered market, one from Cambridge Strawberry Fair, and one from a holiday years ago in Mexico…(I like my rings to remind me of where I’ve been and what I’ve done, if possible).

I’m not entirely happy with it, bits of it are clumsy and didn’t entirely work out exactly how I’d imagined.

It also took me a frustratingly long time to get the skin tone right (and I’m still not 100% on it). It’s also kind of space-agey for no real reason (other than I kind of liked where it was going, silver-pen wise), and very girly (but what else is new?!) but actually, considering how badly I thought it was going when I first started painting it, I think it just about works!

As an experiment with silver pen, shades of purple, pink and blue, and as another practice run with my new paints (I’m still getting used to their thickness and colour when they dry) I’m happy.

Now to decide what to work on next….:)

Woman-hair-painting-crop

[Zelda Fitzgerald, purple hair edition (c) Hannah Thompson, acrylic with metallic silver pen]

 

My painting: In the style of Mucha

Aren’t Mucha paintings wonderful? To me, they’re a fabulous mixture of dreamlike composition and stunning skill, redolent with silky textures, serene expressions, swirling hair and delicate features.

A Czech artist working in Prague and Paris in the early 20th century, Alphonse Mucha painted adverts, flyers and posters – and sometimes just art for art’s sake – entirely representative of his own, Art Nouveau time (Art Nouveau is up there in my top 5 kinds of design, mainly for its unbelievable “fussiness” and delicate swirls).

The women depicted are more often than not softly curved, swathed in luxurious fabric and haloed by a mass of unruly tendrils and pleasingly-complex geometric shapes, either dancing or triumphant, or laid-back, smoking, drinking, sitting.

They are ladies of understated leisure and artistry, as creative as the artist who paints them. They have all the beauty and traditional femininity of a pre-Raphaelite Rossetti or a Stanisław Wyspiański, without the often-found “downtrodden woman” vibes. Here, the woman is centre stage, the owner of the picture, the mistress of all she surveys, drinks, eats or smokes.

And they’re often incredible records of the design and pastimes of the time, due to their role as adverts and flyers for everything from chocolate to cigarettes to alcohol to play performances. The history geek in me just can’t get enough.

Plus, I also think they are stunningly beautiful.

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